Sonntag, 6. Oktober 2013
Filmfest Hamburg: Only Lovers Left Alive
Jim Jarmusch's vampire comedy "Only Lovers Left Alive" is sadly a misguided, unengaging affair. You can tell there is probably a good idea buried somewhere in the first draft of the story, mixing dark folklores with modern-day sensibilities and the independent music scene. However, the eventual script came off both narratively and totally focusless and tame, dipping in some slapstick humor and morbid jokes without ever being really funny or otherwise affecting. The promising opening shot of the great Tilda Swinton in fabulous ancient garb can only go so far before even she can't make this insubstantial, bloodless (no pun intended) character appealing. Faring even worse is Tom Hiddleston, who's stuck in the thankless role of the straight-faced old soul lacking any evil charm or even some entertaining lines. For most of its running time the movie is just trapped inside a drab atmosphere, apparently clueless as to where it wants to go.
Cinematography is unspectacular with predominantly dimly lit indoors night scenes and the score, combining elements of medieval music and oriental influences, is curious at first but soon loses its novelty and starts to grind.