There are occasional bursts of visual pizzazz in Chilean director Alicia Scherson's Rome-set "Il futuro (The Future)", whether through blatantly magnifying the mundane or throwing in fantastical elements, that provided the listless movie with some badly-needed jolts of energy. But the look of the film is too inconsistent to be called stylish, mirroring a similar weakness of indecision in its plot, which branches from siblings drama to a perverted tale of love and a gangster story while failing to satisfy in each aspect.
Keine Kommentare:
Kommentar veröffentlichen