Brillante Mendoza's "Captive" chronicles the travails of an international group of hostages in the Filipino jungles over the course of one year. Its true-to-life, semi-documentary-style depiction made the eventful story somewhat tedious, but both Mendoza's uncompromising approach and lead actress Isabelle Huppert's volcanic performance are forces to be reckoned with; Canadian director Guy Maddin's "Keyhole" is 90 torturous minutes of feverish black-and-white pictures, jarring music and an utterly logic-free storyline featuring a bike-pedaled electric chair, a naked old man chained to a bed and Isabella Rossellini. Even for an insane mind, this is some twisted, tripped-up dream.
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